Lens of a "Moskva 5"Lens of a "Moskva 5"Objektiv einer „Moskva 5“
It is obvious that a lens from a 6x9 camera produces a sufficiently large image circle. The "risk," however, lies in the tube; with the folding bellows camera, the distance to the film is already quite wide in the bellows, whereas here it sits on a tube. But it works. Lens from a "Moskva 5" 6×9 camera (folding camera) on a Fujifilm GFX 50S (wide open). The 105mm lens with an aperture of f/3.5 delivers sharp yet somehow soft images. Unfortunately, it is very prone to flare; you have to be careful.It is obvious that a lens from a 6x9 camera produces a sufficiently large image circle. The "risk," however, lies in the tube; with the folding bellows camera, the distance to the film is already quite wide in the bellows, whereas here it sits on a tube. But it works. Lens from a "Moskva 5" 6×9 camera (folding camera) on a Fujifilm GFX 50S (wide open). The 105mm lens with an aperture of f/3.5 delivers sharp yet somehow soft images. Unfortunately, it is very prone to flare; you have to be careful.Dass ein Objektiv von einer 6x9 Kamera einen ausreichend großen Bildkreis erzeugt, ist ja wohl klar. Das "Risiko" liegt aber im Tubus, bei der Faltbalgkamera geht es ja zum Film in schon weite auseinander im Faltbalgen, hier hingegen sitzt es auf einem Rohr. Es funktioniert aber. Objektiv einer „Moskva 5“ 6×9-Kamera (Faltkamera) an einer Fujifilm GFX 50S (Offenblende). Das 105-mm-Objektiv mit einer Lichtstärke von 1:3,5 liefert scharfe und gleichzeitig auch irgendwie softe Bilder. Leider ist es sehr anfällig für Streulicht; man muss vorsichtig sein.
Lens of a "Moskva 5"Lens of a "Moskva 5"Objektiv einer „Moskva 5“
It is obvious that a lens from a 6x9 camera produces a sufficiently large image circle. The "risk," however, lies in the tube; with the folding bellows camera, the distance to the film is already quite wide in the bellows, whereas here it sits on a tube. But it works. Lens from a "Moskva 5" 6×9 camera (folding camera) on a Fujifilm GFX 50S (wide open). The 105mm lens with an aperture of f/3.5 delivers sharp yet somehow soft images. Unfortunately, it is very prone to flare; you have to be careful.It is obvious that a lens from a 6x9 camera produces a sufficiently large image circle. The "risk," however, lies in the tube; with the folding bellows camera, the distance to the film is already quite wide in the bellows, whereas here it sits on a tube. But it works. Lens from a "Moskva 5" 6×9 camera (folding camera) on a Fujifilm GFX 50S (wide open). The 105mm lens with an aperture of f/3.5 delivers sharp yet somehow soft images. Unfortunately, it is very prone to flare; you have to be careful.Dass ein Objektiv von einer 6x9 Kamera einen ausreichend großen Bildkreis erzeugt, ist ja wohl klar. Das "Risiko" liegt aber im Tubus, bei der Faltbalgkamera geht es ja zum Film in schon weite auseinander im Faltbalgen, hier hingegen sitzt es auf einem Rohr. Es funktioniert aber. Objektiv einer „Moskva 5“ 6×9-Kamera (Faltkamera) an einer Fujifilm GFX 50S (Offenblende). Das 105-mm-Objektiv mit einer Lichtstärke von 1:3,5 liefert scharfe und gleichzeitig auch irgendwie softe Bilder. Leider ist es sehr anfällig für Streulicht; man muss vorsichtig sein.