Advent in the VillageAdvent in the VillageAdvent im Dorf
You achieve this effect by reversing the front lens on a slight wide-angle (in this case a Pentacon 29mm 1:2.8) and then attaching the lens to a 1.6 crop sensor. Full-frame works too, but you have to crop it because otherwise there is too much "empty space" around the edges.You achieve this effect by reversing the front lens on a slight wide-angle (in this case a Pentacon 29mm 1:2.8) and then attaching the lens to a 1.6 crop sensor. Full-frame works too, but you have to crop it because otherwise there is too much "empty space" around the edges.Den Effekt erzielt man, indem man die Vorderlinse an einem leichten Weitwinkel (in diesem Fall ein Pentacon 29mm 1:2,8) umdreht und das Objektiv dann an eine 1,6er Crop hängt. Eine Vollformat geht auch, man muss dann aber beschneiden, da sonst zu viel "leere Luft" außen drum herum ist.
Advent in the VillageAdvent in the VillageAdvent im Dorf
You achieve this effect by reversing the front lens on a slight wide-angle (in this case a Pentacon 29mm 1:2.8) and then attaching the lens to a 1.6 crop sensor. Full-frame works too, but you have to crop it because otherwise there is too much "empty space" around the edges.You achieve this effect by reversing the front lens on a slight wide-angle (in this case a Pentacon 29mm 1:2.8) and then attaching the lens to a 1.6 crop sensor. Full-frame works too, but you have to crop it because otherwise there is too much "empty space" around the edges.Den Effekt erzielt man, indem man die Vorderlinse an einem leichten Weitwinkel (in diesem Fall ein Pentacon 29mm 1:2,8) umdreht und das Objektiv dann an eine 1,6er Crop hängt. Eine Vollformat geht auch, man muss dann aber beschneiden, da sonst zu viel "leere Luft" außen drum herum ist.