Fürstenfeldbruck – Collegiate Church of the Assumption of MaryFürstenfeldbruck – Collegiate Church of the Assumption of MaryFürstenfeldbruck – Stiftskirche Mariä Himmelfahrt
Without a doubt, the collegiate church of the Assumption of Mary of the former Cistercian Abbey Fürstenfeld near Fürstenfeldbruck is one of the most important Baroque churches in southern Germany.
On August 5, 1700, the foundation stone for the new construction of the monastery church was laid. The planner of the church was Giovanni Antonio Viscardi. However, construction work was already halted in 1701 and only resumed in 1716, this time under the direction of Johann Georg Ettenhofer. The choir was completed in 1732, and the consecration of the nave took place in 1741. But the furnishings were not completed until 1766.
The stucco work of the choir was entrusted to Pietro Francesco Appiani. He began in 1718 and completed the work in 1723. The nave was stuccoed by his brother Jacopo Appiani.
The frescoes in the choir and nave are works by Cosmas Damian Asam. He started in the choir and worked there until 1723. The frescoes in the nave were completed in 1731.
Egid Quirin Asam designed the high altar. However, it is unknown who built it according to his plans. Egid Quirin also designed two side altars.
In 1736, Johann Georg Fux built the large organ on the west gallery. It remains almost unchanged and is considered one of the most important Baroque organs in Bavaria. The organ case comes from the workshop of Johann Georg Greiff and is one of the largest organ cases in Bavaria.
The two donor figures to the left and right of the choir arch are works by the sculptor Roman Anton Boos. They show Duke Ludwig the Strict on the left and his son Emperor Ludwig the Bavarian on the right.Without a doubt, the collegiate church of the Assumption of Mary of the former Cistercian Abbey Fürstenfeld near Fürstenfeldbruck is one of the most important Baroque churches in southern Germany.
On August 5, 1700, the foundation stone for the new construction of the monastery church was laid. The planner of the church was Giovanni Antonio Viscardi. However, construction work was already halted in 1701 and only resumed in 1716, this time under the direction of Johann Georg Ettenhofer. The choir was completed in 1732, and the consecration of the nave took place in 1741. But the furnishings were not completed until 1766.
The stucco work of the choir was entrusted to Pietro Francesco Appiani. He began in 1718 and completed the work in 1723. The nave was stuccoed by his brother Jacopo Appiani.
The frescoes in the choir and nave are works by Cosmas Damian Asam. He started in the choir and worked there until 1723. The frescoes in the nave were completed in 1731.
Egid Quirin Asam designed the high altar. However, it is unknown who built it according to his plans. Egid Quirin also designed two side altars.
In 1736, Johann Georg Fux built the large organ on the west gallery. It remains almost unchanged and is considered one of the most important Baroque organs in Bavaria. The organ case comes from the workshop of Johann Georg Greiff and is one of the largest organ cases in Bavaria.
The two donor figures to the left and right of the choir arch are works by the sculptor Roman Anton Boos. They show Duke Ludwig the Strict on the left and his son Emperor Ludwig the Bavarian on the right.Ohne Zweifel zählt die Stiftskirche Mariä Himmelfahrt der ehemaligen Zisterzienserabtei Fürstenfeld bei Fürstenfeldbruck zu den bedeutendsten Barockkirchen in Süddeutschland.
Am 5. August 1700 wird der Grundstein für den Neubau der Klosterkirche gelegt. Planer der Kirche ist Giovanni Antonio Viscardi. Doch schon 1701 werden die Bauarbeiten eingestellt, und erst 1716 wieder aufgenommen, dieses mal unter der Leitung von Johann Georg Ettenhofer. 1732 ist der Chor fertig gestellt, die Weihe des Langhauses erfolgt 1741. Doch erst 1766 ist die Ausstattung vollendet.
Mit der Stuckierung des Chores wird von Pietro Franceso Appiani betraut. Er beginnt damit 1718 und schließt die Arbeiten 1723 ab. Das Langhaus wird von seinem Bruder Jacopo Appiani stuckiert.
Die Fresken im Chor und Langhaus sind Werke von Cosmas Damian Asam. Er beginnt im Chor und arbeitet dort bis 1723. Die Fresken im Langhaus sind 1731 vollendet.
Egid Quirin Asam entwirft den Hochaltar. Wer diesen aber nach dessen Plänen gebaut hat, ist unbekannt. Auch plant Egid Quirin zwei Seitenaltäre.
1736 baut Johann Georg Fux die große Orgel auf der Westempore. Es ist fast unverändert, und gilt als eine der bedeutendsten barocken Orgeln in Bayern. Der Orgelprospekt stammt aus der Werkstatt von Johann Georg Greiff, und zählt zu den größten Orgelprospekten in Bayern.
Die beiden Stifterfiguren links und rechts vom Chorbogen sind Werke des Bildhauers Roman Anton Boos. Sie zeigen links den Herzog Ludwig der Strenge und rechts sein Sohn Kaiser Ludwig der Bayer.
Fürstenfeldbruck – Collegiate Church of the Assumption of MaryFürstenfeldbruck – Collegiate Church of the Assumption of MaryFürstenfeldbruck – Stiftskirche Mariä Himmelfahrt
Without a doubt, the collegiate church of the Assumption of Mary of the former Cistercian Abbey Fürstenfeld near Fürstenfeldbruck is one of the most important Baroque churches in southern Germany.On August 5, 1700, the foundation stone for the new construction of the monastery church was laid. The planner of the church was Giovanni Antonio Viscardi. However, construction work was already halted in 1701 and only resumed in 1716, this time under the direction of Johann Georg Ettenhofer. The choir was completed in 1732, and the consecration of the nave took place in 1741. But the furnishings were not completed until 1766.
The stucco work of the choir was entrusted to Pietro Francesco Appiani. He began in 1718 and completed the work in 1723. The nave was stuccoed by his brother Jacopo Appiani.
The frescoes in the choir and nave are works by Cosmas Damian Asam. He started in the choir and worked there until 1723. The frescoes in the nave were completed in 1731.
Egid Quirin Asam designed the high altar. However, it is unknown who built it according to his plans. Egid Quirin also designed two side altars.
In 1736, Johann Georg Fux built the large organ on the west gallery. It remains almost unchanged and is considered one of the most important Baroque organs in Bavaria. The organ case comes from the workshop of Johann Georg Greiff and is one of the largest organ cases in Bavaria.
The two donor figures to the left and right of the choir arch are works by the sculptor Roman Anton Boos. They show Duke Ludwig the Strict on the left and his son Emperor Ludwig the Bavarian on the right.Without a doubt, the collegiate church of the Assumption of Mary of the former Cistercian Abbey Fürstenfeld near Fürstenfeldbruck is one of the most important Baroque churches in southern Germany.
On August 5, 1700, the foundation stone for the new construction of the monastery church was laid. The planner of the church was Giovanni Antonio Viscardi. However, construction work was already halted in 1701 and only resumed in 1716, this time under the direction of Johann Georg Ettenhofer. The choir was completed in 1732, and the consecration of the nave took place in 1741. But the furnishings were not completed until 1766.
The stucco work of the choir was entrusted to Pietro Francesco Appiani. He began in 1718 and completed the work in 1723. The nave was stuccoed by his brother Jacopo Appiani.
The frescoes in the choir and nave are works by Cosmas Damian Asam. He started in the choir and worked there until 1723. The frescoes in the nave were completed in 1731.
Egid Quirin Asam designed the high altar. However, it is unknown who built it according to his plans. Egid Quirin also designed two side altars.
In 1736, Johann Georg Fux built the large organ on the west gallery. It remains almost unchanged and is considered one of the most important Baroque organs in Bavaria. The organ case comes from the workshop of Johann Georg Greiff and is one of the largest organ cases in Bavaria.
The two donor figures to the left and right of the choir arch are works by the sculptor Roman Anton Boos. They show Duke Ludwig the Strict on the left and his son Emperor Ludwig the Bavarian on the right.Ohne Zweifel zählt die Stiftskirche Mariä Himmelfahrt der ehemaligen Zisterzienserabtei Fürstenfeld bei Fürstenfeldbruck zu den bedeutendsten Barockkirchen in Süddeutschland.
Am 5. August 1700 wird der Grundstein für den Neubau der Klosterkirche gelegt. Planer der Kirche ist Giovanni Antonio Viscardi. Doch schon 1701 werden die Bauarbeiten eingestellt, und erst 1716 wieder aufgenommen, dieses mal unter der Leitung von Johann Georg Ettenhofer. 1732 ist der Chor fertig gestellt, die Weihe des Langhauses erfolgt 1741. Doch erst 1766 ist die Ausstattung vollendet.
Mit der Stuckierung des Chores wird von Pietro Franceso Appiani betraut. Er beginnt damit 1718 und schließt die Arbeiten 1723 ab. Das Langhaus wird von seinem Bruder Jacopo Appiani stuckiert.
Die Fresken im Chor und Langhaus sind Werke von Cosmas Damian Asam. Er beginnt im Chor und arbeitet dort bis 1723. Die Fresken im Langhaus sind 1731 vollendet.
Egid Quirin Asam entwirft den Hochaltar. Wer diesen aber nach dessen Plänen gebaut hat, ist unbekannt. Auch plant Egid Quirin zwei Seitenaltäre.
1736 baut Johann Georg Fux die große Orgel auf der Westempore. Es ist fast unverändert, und gilt als eine der bedeutendsten barocken Orgeln in Bayern. Der Orgelprospekt stammt aus der Werkstatt von Johann Georg Greiff, und zählt zu den größten Orgelprospekten in Bayern.
Die beiden Stifterfiguren links und rechts vom Chorbogen sind Werke des Bildhauers Roman Anton Boos. Sie zeigen links den Herzog Ludwig der Strenge und rechts sein Sohn Kaiser Ludwig der Bayer.